Flammel's Hieroglyphics Chapter VII

From His Exposition of the Hieroglyphicall Figures which he caused to bee painted upon an Arch in St. Innocents Church-yard, in Paris. London, 1624.
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CHAPTER VII

Upon a field violet and blue, two Angels of an Orange colour, and their Rowles.

This violet and blue field showeth that being to pass from the white stone to the red, thou must inbibe it with a little virgins milk of the Sun, and that these colours come out of the Mercurial moisture which thou hast dried upon the Stone. In this operation of rubifying, although thou do imbibe, thou shalt not have much black, but of violets, blue and of the colour of the Peacocks tail. For our stone is so triumphant in dryness, that as soon as thy Mercury toucheth it, the nature thereof rejoicing in his like nature, it is joined unto it, and drinketh it greedily, and therefore the black that comes of moisture, can show itself but a little, and that under these colours violet and blue, because that dryness (as is said) doth by and by govern absolutely.

I have also made to be painted for thee, these two Angels with wings, to represent unto thee, that the two substances of thy confections, the Mercurial and the Sulphurous substance, the fixed as well as the volatile, being perfectly fixed together, do also fly together within thy vessel: for in this operation, the fixed body will gently mount to heaven, being all spiritual, and from thence it will descend unto the earth, and whethersoever thou wilt, following everywhere the Spirit, which is always moved upon the fire: Inasmuch as they are made one selfsame nature, and the compound is all spiritual, and the spiritual all corporall, so much hath it been subtilized upon our Marble, by the precedent operations. The natures then are here transmuted into Angels, that is to say, are made spiritual and most subtle, so are they now the true tinctures.

Now remember thee to begin the rubifying, by the apposition of Mercury Citrine red, but thou must not pour on much, and only once or twice, according as thou shalt see occasion; for this operation ought to be done by a dry fire, and by a dry sublimation and calcination. And truely I tell thee here a secret which thou shalt very seldom find written, so far am I from being envious, that would to God every man knew how to make gold to his own will, that they might live, and lead forth to pasture their fair flocks, without Usury or going to Law, in imitation of the holy Patriarchs using only (as our first Fathers did) to exchange one thing for another; and yet to have that, they must labour as well as now.

Howbeit for fear to offend God, and to be the instrument of such a change which prove evil, I must take heed to represent or write where it is that we hide the keys, which can open all the doors of the secrets of nature, or to open or cast up the earth in that place, contenting myself to show the things which will teach everyone to whom God shall give permission to know what property the sign of the Balance or Libra hath, when it is inlightened by the Sun and Mercury in the month of October.

These Angels are painted of an orange colour, to let thee know that thy white confections have been a little more digested, or boiled, and that the black of the violet and blue hath been already chafed away by the fire: for this orange colour is compounded of the fair golden Citrine red (which thou hast so long waited for) and of the remainder of this violet and blue, which thou hast already in part banished and undone. Furthermore this orange colour showeth that the natures are digested, and by little and little perfected by the grace of God.

As for their Rowle, which saith, SVRGITE MORTVI, VENITE AD IVDICIVM DOMINI MEI, that is, Arise you dead, and come unto the judgement of God my Lord; I have made it be put there, only for the Theological sense, rather than any other: It ends in the throat of a Lion which is all red, to teach that this operation must not be discontinued until they see the true red purple, wholly like unto the Poppy of the Hermitage, and the vermillion of the painted Lion saving for multiplying.


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