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The Treatise of Democritus On Things Natural and Mystical Translated by Robert R. Steele, F.C.S., &c Chemical News 61 Transcribed by John Koopmans and Alan Pritchard.
Little apology is needed to English
readers for publishing the earliest known chemical treatise for the first time
in English. It is a work on the manufacture of gold and silver, and the
receipts are entirely practical ones, which can be followed out at the present
time, and which produce alloys or superficial imitations of those metals. The
idea of transmutation does not explicitly occur in the work. Democritus lived in the Fourth
Century, B.C. The work proceeds from writers of his school, and is certainly
not later than the first centuries of our era. A somewhat magical introduction
is prefixed in the text of M. Berthelot. There were originally four
books on the tincture of purple, gold, silver, and stones. Of these, we have
the second and third and a fragment of the first.[1]
The text I translate from is the Latin translation of Pizzimenti,
published at I have chosen this text to
bring out the differences between it and the Greek text, first published by M. Berthelot in his “Collection of Ancient Greek Alchemists,”
Paris, 1888, a work to which I am under great obligations, and to which I would
refer any student interested in the study of alchemy. The variations (not
merely verbal) I have indicated by italics. A glossary, with references to
Pliny’s “Natural History,” is appended. FRAGMENT OF ANCIENT INTRODUCTION. “Nature rejoices with Nature; Nature conquers
Nature; Nature restrains Nature.” We (his disciples) greatly
wondered at how briefly he had bound up the whole science. I come into I. Copper
is Whitened with Mercury-Amalgam or Arsenic, and is then Coloured
Golden by Electrum or Powdered Gold. Taking mercury, thrust it into
the body[3]
of magnesia, or into the body of Italian antimony, or of unfired sulphur, or of silver
spume, or of quick lime, or to alum from Melos,
or to arsenic, or as thou knowest, and throw in white earth of Venus,[4]
and thou shalt have clear Venus; then throw in yellow Luna,
and thou shalt have gold, and it will be chrysocoral reduced into a body. Yellow arsenic also makes the
same, and prepared sandarach, and well bruised
cinnabar, but quicksilver alone makes brass shining; for nature conquers
nature. II. Sulphide of Silver is
Treated with Sulphides of Lead or Antimony, and the
Resulting Alloy is Coloured Golden. Treat silver marcasite, which is also called siderites, and do what is
usual that it may be melted. It melts with yellow
or white litharge, or in Italian antimony, and cleanse it with lead (not
simply, say I, lest thou err, but with that from Scissile, and our black litharge), or as thou knowest;
and heat, and throw it made yellow to the material,[5]
and it becomes coloured; for nature rejoices with
nature. III. Copper Pyrites is Roasted and Treated with Salt and
Alloyed with Silver or Gold to Form Gold-Coloured
Alloys. Treat pyrites till it becomes
incombustible, casting off darkness, but treat with brine, or fresh urine, or
sea water, or oxymel, or as thou knowest,
until it becomes as an incombustible shaving of gold; and as it becomes so, mix
with it unfired sulphur, or yellow alum, or Attic
ochre, or what thou knowest, and add to luna for sol, and to sol for auriconchylium;
for nature conquers nature. IV. Claudian Metal is Rendered
Yellow by Taking claudianum,
thou shalt make a marble, as of custom, until it
becomes yellow. Thou shalt not render the stone
yellow, I say, but that which is useful of the stone. Thou shalt
yellow it with alum burnt with sulphur, or with
arsenic, or sandarach, or lime, or that thou knowest, and if thou apply it to luna thou makest sol, but
if to sol thou makest
auriconchylium; for victorious nature restrains
nature. V. Silver or Bronze are
Treated with an Amalgam of Iron to Produce Gold or Electrum. Make cinnabar white by oil, or
vinegar, or honey, or brine, or alum, then yellow by misy,
or sory, or chalcanth, or
live sulphur, or that thou knowest,
and add to luna
and it will be sol if thou colourest golden, or to bronze for electrum. Nature
rejoices with nature. VI. A Whiten, I say, copper, cadmia, or zonytes, as of custom, afterwards
make it yellow. But you will yellow it with the bile of a calf, or terebinth, or castor oil, or radish oil, or yolks of eggs,
which can render it yellow, and add to luna, for it will be gold
for gold[6];
for nature conquers nature. Treat androdamas
with bitter wine, or sea water, or acid brine, which things can attack its
nature, melt with Chalcidonian antimony, and treat it
again with sea water, or brine, or acid brine; wash until the blackness of the
antimony goes away, heat or roast it until it begins to grow yellow, and thou shalt treat with untouched divine[7] water,
and lay it on silver, and when thou addest live sulphur thou makest chrysosomium into
golden liquid; for nature conquers nature. This is the stone called chrysites. VIII. An
Alloy of Copper and Lead is Formed, which is turned Yellow. Taking white earth from
ceruse, I say, or from the scoriae of
silver, or of Italian antimony, or of magnesia, or even of white litharge,
whiten it with sea water, or acid brine, or with water from the air under the
dew, I say, and the sun, that it, when dissolved, may become white as ceruse.
Heat then this in the furnace, and add to it the flowers of copper, or scraped
rust of copper, worked up by art, I say, or burnt bronze sufficiently corroded,
or chalcites, or cyanum; then it becomes compact
and solid, but it becomes so easily. This is molybdochalium.
Test it therefore, whether it has cast off its blackness, but if not, blame not
the bronze, but rather thyself, since thou hast not conducted the operation
rightly; therefore thou shalt brighten it, and
dissolve it, and add what is necessary to yellow it, and roast till it begins
to grow yellow, and throw it into all bodies; for bronze colours
every body where it is shining and yellow; for nature conquers nature. IX. Copper and Silver are made Yellow by Sulphate of Iron; with a Process of Cementation. Rub up sory
and chalcanth with unfired sulphur;
but sory is, as leprous cyanus,
always found in misy, they call it green chalcanth. Roast it, therefore, in the middle of coals for
three days, until it becomes a red
drug, and throw it into Venus, or Luna made by us, and it will be Sol. Place this,
cut up in sheets, in vinegar, and chalcanth, and misy, and alum, and sal cappadociae, and red nitre, or as
thou knowest, for three, or five, or six days, until
it becomes a rust, and it tinges; for chalcanth makes
sol a rust. Nature rejoices with nature. X. An Alloy of Treat Macedonian chrysocolla, which is like the rust of bronze, by
dissolving it in the urine of a young girl until it entirely changes; for the
nature is hidden within. When, therefore, it is changed, dip it into castor
oil, often heating it, and tinging it, afterwards
roast with alum, first dissolving with misy or
unfired sulphur; render it yellow, and colour the whole body of gold. XI. O ! natures, governors of
natures! O ! natures, how
great, conquering natures with their changes! O ! natures above Nature, delighting natures! Therefore these
are great natures; no others are more excellent among tinctures than these
natures; none are like, none are greater, all these take effect as solutions.
You therefore, O ! wise men, I plainly understand are not
ignorant, but rather wonder, since ye know the power of nature, but the young
men are much in error, and will not put faith in what is written, since they
are ignorant of matter, not noticing that physicians
where they wish to prepare a useful drug, do not set about making it
inconsiderately, but first test it, whether it is warming, and how much cold,
or humid, or other substance necessary, joined with it will make a medium
temperament.[8] They, on
the other hand, boldly and inconsiderately desiring to prepare that valuable
medicine and ending of all diseases, do not learn that they are running into
danger. As they consider that we speak in fables and not mystically, they
display no diligence in inquiring into the species of things. For example, if
this is cleansing, but that unimportant; and if this is fitted to receive a colour, but that to prepare (for receiving it); and if this tinges the surface, or if the
tincture gives off an odour from the surface, or
vanishes from the interior of the metallic body; or if this resists fire, but
that mixed with anything enables it to resist fire. For example, if salt
cleanses the surface of Jove[9] it
cleanses its interior parts; and if the exterior part contracts rust after the
cleansing, the interior parts do so also; and if mercury whitens and cleanses
the surface of Venus,[10]
it whitens also the interior; and if it leaves the exterior, it leaves the
interior also. If the young men had been skilled in this kind of knowledge,
applying their minds judiciously to the actions of substances, they would have
suffered less loss; they know not the antipathies of nature,
that one species may change ten, as a drop of oil stains much purple,
and a little sulphur burns many things. Let these
things be said, therefore, of medicines,[11]
and of the extent to which what is written may be relied on. XII. A Gold Var Let us deal with liquids in
their turn. Taking Pontic rhubarb, rub it up in
bitter Aminean wine to the consistency of wax, and
take a thin piece of Luna to make Sol, the pieces of which may be a full
nail in breadth, that thou mayest use the drug again and again; place it in an
empty vessel, which, luting on all sides, gently heat
from beneath until the middle (of the leaf) is reached. Then place the leaf in
the remainder of the drug, and complete the action with the aforesaid wine, as
long as the liquid appears thick. In this, throw at once the uncooled leaf, and allow it to absorb, then take it and
place it in a crucible; and thou shalt find Sol. But if the rhubarb be dried
with age, mix it with equa [sic! i.e. equal]
parts of celandine, preparing it, as of custom, for celandine has a
relationship to rhubarb. Nature rejoices with nature. XIII. Another Take crocus of XIV. Another Taking our lead made shining by Chian
earth, and pyrites, and alum, burn
with chaff, and melt into pyrites; and rub up crocus and cnicum,
and the flower oecumenicus with the sharpest vinegar,
and make a liquid, as of custom, and dip the lead into it, and allow it to
absorb it, and thou shalt find Sol, but let the
composition have a little unburnt sulphur;
for nature conquers nature. XV. This
is the plan of Hepammenes, which he showed to the
priests of Let us now see the composition
of the species from which silver can be made. THE BOOK OF SILVER XVI. The Surface of a Copper Alloy is Whitened by an
Arsenical Compound. Fix quicksilver from arsenic, or sandarach, or that thou knowest,
as of custom, and mix Venus with iron
treated with sulphur, and it will be whitened; but
whitened magnesia is also excellent, and sublimed
arsenic and calcined cadmia, unfired sandarach, whitened pyrites, and ceruse roasted with sulphur. Thou dissolvest iron by
throwing into magnesia, or the half of sulphur, or a
little of loadstone, since that has affinity with iron. Nature rejoices with
nature. XVII. A Composition for
Amalgamating the Surface of Alloys. Taking the aforesaid vapour,[13]
heat it with castor or radish oil, mixing with a little alum; then taking tin,
purge it with sulphur, as of custom, or marchasite, or
what is known to thee, and throw it into the vapour,
mixing the whole. Roast, covered with coals, and thou shalt
see this medicine formed, like to white lead, which whitens all (metallic)
bodies,[14]
but by anointing. Mix with it Chian earth, or Asterites, or Aphroselinum, or
that thou knowest, since Aphroselinum
associated with mercury whitens all (metallic) bodies. Nature conquers nature. XVIII.
The Same Applied to Take white magnesia; thou shalt whiten it with brine and alum, in sea-water, or
citron juice, or with the smoke of sulphur; for the
fume of sulphur, when it is white, whitens all things.
But others say that the fume of cobathia whitens it.
Mix with it, after whitening, equal parts of lye, that it may become white
enough. Taking of whitish bronze, of orichalium, I
say, 4 ounces, place it in a crucible, placing under it little by little 1
ounce of previously purged tin, agitating until the substances unite; it will
be frangible. Throw on, therefore, the half of white medicine, and it will be
the chief; for whitened magnesia does
not render bodies fragile, or allow the blackness of bronze to come forth.
Nature restrains nature. XIX.
A white alloy of lead is Take the white sulphur, which will flourish whitest; but thou shall whiten
it, dissolving with urine in the sun, or alum and sea-water. Dissolve it with sandarach, or the urine of a young girl, for six days,
until the medicine nearly approaches the likeness of marble; when it becomes
so, it will be wonderful, for it whitens Venus, softens iron, takes away
the creaking of tin, renders lead white, and makes substances infrangible, and tinctures permanent. For sulphur mixed with sulphur makes divine
substances, since they have close relationship with each other; for natures
rejoice with natures. XX. a
Join whitened litharge with sulphur, or cadmia, or arsenic,
or pyrites, or oxymel, lest it flow widely (be too fluid). Therefore roast it
with glowing embers, furnishing the vessel with a lute. Let it be combined with
roasted lime, and absorb vinegar for three days, that it may have greater power
of cleansing. Apply it therefore (to the metal), when it is whiter than ceruse.
Very often it will be yellow, if much fire be put under it; but if it becomes
yellow it will not be of use to thee at present, for the intention is to whiten
bodies with it. Heat it moderately, therefore, and mix it with every body which
thou desirest to whiten. If litharge be whitened,
it will be lead no longer, but it easily becomes (whitened). The nature of lead
is quickly changed into many forms; for natures conquer natures. XXI.
a silver var Taking the crocus of Cilicia, put it into sea-water, or brine, and make a liquor
in which immerse heated leaves of bronze or iron, until they are whitened to
thy satisfaction. Then take a half of the medicine, rub it up with sandarach and white arsenic, or unburnt
sulphur, or that thou knowest,
to the consistency of wax; anoint the leaf and place it in an empty closed
vessel, as of custom, and put it in a vessel where shavings are being burnt the
whole day. Then, taking it away, place it in a pure liquid, and the bronze will
be very white; then set to work like a craftsman; for the crocus of Cilicia whitens with sea-water, and tinges metals a yellow colour with wine. Nature rejoices with nature. XXII.
another varnish. Take white litharge, and rub
it up with laurel shoots, and cimolia, and honey, and
white sandarach, and let it have the consistency of
scrapings (viscid). Anoint (the leaf of the metal) with half of the medicine, and
warm from below, as of custom. Immerse it in the remainder of the medicine,
dissolving with the water of the ash of white wood; for dissolved mixtures
work well without fire. Such solutions with liquors are able to resist fire;
for nature conquers nature. XXIII.
a metal is silvered by a mercury compound. Taking the prescribed vapour, rub it up with alum and misy,
washing with vinegar, add to it also a little white cadmia,
or magnesia or unslaked lime, that it may become a
(metallic) body from another (metallic) body. Mix with the whitest honey, and
make a liquid, in which immerse ignited whatever thou will, and leave it in it,
the operation takes place. But let the composition have a little native sulphur, that
the medicine may pervade and penetrate. Nature conquers nature. XXIV. Another Tincture of Amalgamation. Take 1 ounce of arsenic, and half an
ounce of nitre, and 2 ounces of the cortex of the
tender little leaves of Persea,
and half (an ounce) of salt, and 1 ounce of mulberry juice, and equal parts of
scissile, rub with vinegar, or urine, or
of unslaked lime of urine, until a liquid is
formed. Immerse in this glowing leaves
of Venus growing black, and thou takest away the blackness. Nature conquers nature. Thou hast all things which are
required for gold and silver, nothing is left out, nothing is wanting, except
the elevation of the vapour and of water.[15]
But these I have omitted of purpose, seeing that I have dealt with them freely
in my other writings. In this writing farewell. Glossary
and remarks (The references are to Pliny’s
“Natural History.”) Alum. (35, 15).
Was generally an astringent salt of Fe or Al. Alum from Androdamas. (36, 20;
37, 54). Arsenical pyrites; from its silvery lustre used with silver. Antimony. (33, 33,
34). Is invariably the sulphide.
The metal was obtained by the ancients, but confused with lead. Aphroselinum. Selenite, sulphate
of lime, &c. Aristolochia. (25, 8).
Birth-wort. Arsenic. (34, 28).
Orpiment, As2S3. Asterites. Identical
with androdamas. Auriconchylium. Gold in
powder, coquille d’or. Bronze is here used for a metal of which copper
is the principal constituent. Cadmia. (34, 1).
Generally calamine; sometimes the “furnace calamine,” ZnO,
containing Cu, Pb, Sb, and
As. (A passage in Strabo, liii.,
p.419, Ed. 1587, fo., shows metallic zinc to have
been worked in his time, and called false silver). Ceruse. (34, 18).
White-lead. Chalcanth. (34, 12).
Copperas, FeSO4, of course containing
copper. From the vitreous crystals are derived the words “vitriol,” &c. Chalcites. (34, 12).
Copper pyrites, CuFeS2. Chian Earth. (35, 16).
A white substance like fuller’s earth. Chrysitis. (33, 6;
35). A mixture of silver and lead, which becomes
yellow on heating. Davy thought it massicot,
yellow oxide of lead. Chrysocolla. (33, 5).
Malachite; or a solder for gold, 9, 29. The name means
“gold glue.” It did not contain borax. Cimolia. (35, 17).
Cimolite,
a fuller’s earth. Cinnabar. (33, 17).
Minium, Pb3O4, was sometimes
spoken of under this name. Claudianum was a metal named from its
manufacturer. An alloy of Sn and Pb, with Cu, Zn, &c. Cnicus. (21, 15).
Carthamus tinctoria, the
safflower; still used as a tinctorial agent. Cobathia. Arsenical fumes of furnaces
(in which cobalt was first found). Cyanus. (37, 9).
Blue carbonate of copper. Azurite. Electrum. (23, 4).
An alloy of gold with more than 20 per cent silver, amber coloured. Ecumenicus flower. Herb
basil? Flower of Copper. (34, 11).
Small black scales of oxide of copper, which separate on cooling. Jove. Tin. Luna. Silver. Magnesia. (36,16).
Any white body, steatite; as in XVI., an amalgam; an ore of iron. Workmen in
mines now are accustomed to call any white ore unknown to them magnesia. Misy. (34, 12).
Roman vitriol, a mixture of CuSO4, with basic sulphate
of iron; oxidized copper pyrites. Molybdochalium. An alloy of
Cu and Pb. Nitre. (31, 10).
A white salt. Pliny’s description answers to sal ammoniac, may be Na2CO3,
KNO3, Na2SO4, &c., &c. Orichalium. (33). Yellow copper ore,
mountain brass; or white copper, an alloy of Cu and As. Oxymel. (23, 2).
Vinegar and honey. Persea. (13, 9).
Balanites Ćg. Berthelot translates it peach. Lead. (34, 16). White,
is Sn; Black, is Pb. Pyrites. (36, 19).
White, arsenical pyrites. Yellow,
iron pyrites. Sal Cappadocić. A variety
of sal gemma. Sandarach. (34, 18).
As2S2 (realgar)
or HgS. Scissile. Alum schist; any ore
distinguished by a laminated structure, saline efflorescence, and styptic
properties; yellow ochre colour. Sol. Gold. Sory. (34, 12).
Basic sulphate of iron, brown from
exposure, containing CuSO4. Silver Spume. (33, 6).
Argentiferous litharge. Venus. Copper. The gold and silver varnishes still used
to brighten the colour of gold and silver alloys are
nearly identical with those given in this work. [1] Published in the CHEMICAL NEWS, vol. xlviii., p. 279. [2] “Nature” seems to be used for the specific qualities of a substance; those which differentiate it from others. [3] Probably, the reduced metal of. [4] Berthelot’s text rarely used these alchemical names, never in the case of copper. [5] For colouring the alloy – not expressed. [6] Greek reads:- “Gold, for it will be golden through gold and the golden liquor.” [7] A curious mistranslation, the words divine and sulphur being similar in Greek. It is probably a polysulphide of calcium. [8] Alluding to the four principles of nature: warm, cold, dry, and moist, by the combination of which the four elements were formed. [9] Greek, copper. [10] Greek, orichalium. [11] Greek, dry pow. substances. [12] Is this the bulb, for which [13] Probably sublimed mercury. [14] The body of a substance is its metallic state. [15] This seems to point to a work on distillation, which was practised in the first centuries of our era. |