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| August Strindberg's Antibarbarus |
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Posted by: Paul Ferguson - 10-04-2023, 09:36 PM - Forum: Alchemy texts
- Replies (2)
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"In his anti-literary 1890s, August Strindberg took to the laboratory to experiment in alchemy, and some of his thoughts led to a peculiar book published in Germany in 1894 called Antibarbarus I: oder Die Welt für sich und die Welt für mich (YA.1990.a.22668). His discovery of the process of transmuting lead into gold was conjecture and anti-scientific, if anti-anything, but 13 years later, this simple pamphlet, first published in Germany, transmuted into one of the finest luxury editions printed in Sweden."
https://blogs.bl.uk/european/2018/05/a-r...barus.html
See also:
"Strindberg, the 'Shakespeare of the North', was obsessed with a passion for producing gold, and, like many alchemists before him, he failed to temper his imagination with reality. But his goldmaking 'research', like his other scientific studies, provides a valuable case study of a humanist genius whose amateur scientific activities enriched his literary and dramatic productions."
https://link.springer.com/content/pdf/10...214667.pdf
and
What happened when August Strindberg believed he could make gold? Playwright Howard Brenton on the remarkable period in the Swedish playwright’s life where he became an alchemist.
https://www.whatsonstage.com/london-thea...4605.html/
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| Charles Sledd and the Sloane Alchemical Notebooks |
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Posted by: Paul Ferguson - 10-04-2023, 07:14 PM - Forum: Articles on alchemy
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From Societas Magica Newsletter Issue 39:
"The British Library’s Sloane collection includes a series of thirty-four notebooks,predominantly concerned with alchemical and medical topics, compiled by an anonymous diarist sometime around the end of the sixteenth century. The notebook manuscripts in question have been most comprehensively studied by Anke Timmermann and David Evett. Evett’s contribution focuses especially on six of the notebooks that include a series of programs for the execution of allegorical paintings more concerned with social and political themes than iatrochemistry. The only direct clue to the compiler’s identity is the initials “C. S.” inscribed on a page pertaining to one of the aforementioned allegories. However, copious circumstantial evidence points to a strong possibility that C. S. is, in fact, Charles Sledd, apothecary, anti-Catholic spy and informer for Francis Walsingham at home and abroad, and sometime acquaintance of John Dee. In what follows, I will lay out some evidence for this identification."
Brian Johnson.
https://societasmagica.org/userfiles/fil...sue_39.pdf
More about Sledd here:
https://erenow.org/common/the-watchers-a...th-i/6.php
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