11-02-2024, 12:05 PM
"Beside the codenames and esoteric symbols inherited from Graeco-Egyptian antiquity, the later Arabic alchemical tradition also adopted motifs drawn from the Qur’an: from the blessed olive tree of the famous Light Verse (Q 24.35) to the burning bush and Moses’ staff. This interweaving of scripture and alchemical theory is especially noticeable in one of the major works of the post-Jābirian corpus, Shudhūr al-dhahab (Shards of Gold) by the Moroccan poet Ibn Arfaʿ Raʾs (fl. sixth/twelfth century), as well as in Ibn Arfaʿ Raʾs’s self-penned commentary, Ḥall mushkilāt al-Shudhūr (The Solution to the Obscurities in the ‘Shards’)."
Richard Todd
Department of Theology and Religion, University of Birmingham
Full article:
https://www.tandfonline.com/doi/full/10....7#abstract
Richard Todd
Department of Theology and Religion, University of Birmingham
Full article:
https://www.tandfonline.com/doi/full/10....7#abstract