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The Pastons
#1
"Sir Robert Paston (1631-1683) of Oxnead Hall in Norfolk was known in his own time for his loyal support of Charles II, his magnificent house and kunstkammer collection, his political activities, and for his chymical and alchemical pursuits. His family died out in the early eighteenth century with the premature deaths of his grandsons, and today the Pastons are remembered mostly for the famous letters of an earlier generation. However, some seventeenth century items survive: inventories, documents, artefacts and an enigmatic painting The Paston Treasure in Norwich Castle Museum, which depicts some of Robert’s and his father’s collection."

https://recipes.hypotheses.org/tag/robert-paston


"Sir Robert Paston (1631-83) was a patient and friend of Sir Thomas Browne and an alchemist. He may have wanted to create gold, but his interest appears
to have been philosophical as well. He was also an Original Fellow of the Royal Society, along with such men as Elias Ashmole, John Aubrey and John Evelyn, although he was expelled in 1682, as the society distanced itself from its origins.

https://www.sirthomasbrowne.org.uk/uploa...ed__1_.pdf


"In 2018, Michael Hunter, Emeritus Professor of History at London University, discovered a document in the Wellcome Library. It was a notebook written in Italian by Margaret [Paston] in the 1680s, listing numerous pharmacological and alchemical recipes. Robert Paston was a keen alchemist, who had his own laboratory, but from the notebook it becomes clear that Margaret maintained her own alchemical workshop in Venice. Robert is mentioned in her book, along with his various scientific experiments undertaken at ‘casa Paston’, which must mean Oxnead Hall. Since Margaret left Norfolk aged only twenty-one and had almost no later contact, one can only conclude that she had assisted her father in his laboratory, and was thus involved with science herself from a young age."

"This little girl appears in one of our most important paintings: The Paston Treasure. Painted around 1662-3 at Oxnead Hall, Norfolk, it contains many mysteries, but the girl is likely to represent one of two sisters, Mary Paston or her elder sister Margaret. Recent research strongly suggests that the most probable candidate is Margaret Paston (1652-c.1723)."

https://norwichcastle.wordpress.com/2021...alchemist/

https://yalebooks.yale.edu/2018/06/23/a-...al-secret/



"The Paston Treasure":


Attached Files Image(s)
   
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#2
Some more information about Margaret Paston from Dr Francesca Vanke's blog:

"Her grandfather, William Paston, who probably commissioned this painting, left her £4000 in his will as a dowry. This was a vast sum for the time. At a period when most girls’ marriages were arranged entirely by their parents, this financial independence allowed Margaret to do something very unusual indeed: to choose her own husband. She chose a high-ranking Venetian diplomat, Girolamo Alberti di Conti. Her parents, Robert and Rebecca Paston, disapproved: Girolamo was an Italian Catholic, and they wanted an English nobleman for their daughter, the kind of man who would elevate the family’s social status. But Margaret married Girolamo in London in 1673, leaving England for good in 1675. Her parents seem never truly to have forgiven her, nor to have seen her again."

https://norwichcastle.wordpress.com/2021...alchemist/
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#3
Article about a 2018 Pastons exhibition here. Some interesting info:


https://britain-magazine.telegraph.co.uk...own-world/
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#4
Another interesting article:

https://artuk.org/discover/stories/a-clo...n-treasure
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#5
The Whirlpool of Misadventures, Letters of Robert Paston, 1st Earl of Yarmouth, 1663-1679

"Robert Paston (1631-1683), first earl of Yarmouth, was the most distinguished descendant of the Paston family, celebrated letter-writers of the fifteenth century. He became Lord Lieutenant of Norfolk in 1676, and he and his strong-minded wife moved in court circles.  Paston’s correspondence documents the life of a Norfolk magnate in a period of political change when the Norfolk gentry divided for the first time along party lines. It also reveals a most likeable man of scholarly and scientific interests, who devoted years to the search for the philosopher’s stone which he saw as the solution to his mounting financial problems."

https://www.edp24.co.uk/news/23973367.le...cial-ruin/

https://www.norfolkrecordsociety.org.uk/...955635755/
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#6
(09-28-2023, 08:39 PM)Paul Ferguson Wrote: Some more information about Margaret Paston from Dr Francesca Vanke's blog:

"Her grandfather, William Paston, who probably commissioned this painting, left her £4000 in his will as a dowry. This was a vast sum for the time. At a period when most girls’ marriages were arranged entirely by their parents, this financial independence allowed Margaret to do something very unusual indeed: to choose her own husband. She chose a high-ranking Venetian diplomat, Girolamo Alberti di Conti. Her parents, Robert and Rebecca Paston, disapproved: Girolamo was an Italian Catholic, and they wanted an English nobleman for their daughter, the kind of man who would elevate the family’s social status. But Margaret married Girolamo in London in 1673, leaving England for good in 1675. Her parents seem never truly to have forgiven her, nor to have seen her again."

https://norwichcastle.wordpress.com/2021...alchemist/

Margaret’s dowry of £4000 in around 1670 would seem to be equivalent to about half a million in today’s money, according to https://www.nationalarchives.gov.uk/currency-converter/#

"In 2017, this is worth approximately:
£454,886.44

In 1670, you could buy one of the following with £3,998:
Horses: 627
Cows: 741
Wool: 4997 stones
Wheat: 1043 quarters
Wages: 57114 days (skilled tradesman)"
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