051 Image of Phanes emerging from the world egg. Redrawn and painted by Adam McLean
Image of Phanes emerging from the world egg. Redrawn from a sculptured relief by Adam McLean.
Coloured using watercolours by Adam McLean in 1995.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.


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052 Jacob Boehme mystical emblem from 17th C Engraving - painted by Adam McLean
Taken from an engraving in Johann Georg Gichtel's edition of the complete works of Jacob Boehme, Amsterdam, 1682.
Coloured using watercolours by Adam McLean in 2002.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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053 Jacob Boehme mystical emblem from 17th C engraving - painted by Adam McLean
Jacob Boehme mystical emblem from 17th C Engraving - painted by Adam McLeanTaken from an engraving in Johann Georg Gichtel's edition of the complete works of Jacob Boehme, Amsterdam, 1682.
Coloured using watercolours by Adam McLean in 2002.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.
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054 Jacob Boehme mystical emblem from 17th C Engraving - painted by Adam McLean
Taken from an engraving in Johann Georg Gichtel's edition of the complete works of Jacob Boehme, Amsterdam, 1682.
Coloured using watercolours by Adam McLean in 2002.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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055 Jacob Boehme mystical emblem from 17th C Engraving - painted by Adam McLean
Taken from an engraving in Johann Georg Gichtel's edition of the complete works of Jacob Boehme, Amsterdam, 1682.
Coloured using watercolours by Adam McLean in 2002.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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056 Alchemical emblem 5, Book of Lambspring - from 17C engraving painted by Adam McLean
The Book of Lambspring is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of fifteen emblematic plates, which were probably engraved by Mathieu Merian.
Taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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057 Alchemical emblem 7, Book of Lambspring - from 17C engraving painted by Adam McLean
The Book of Lambspring is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of fifteen emblematic plates, which were probably engraved by Mathieu Merian.
Taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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058 Alchemical emblem 14, Book of Lambspring - from 17C engraving painted by Adam McLean
The Book of Lambspring is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of fifteen emblematic plates, which were probably engraved by Mathieu Merian.
Taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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059 Alchemical emblem 15, Book of Lambspring - from 17C engraving painted by Adam McLean
The Book of Lambspring is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of fifteen emblematic plates, which were probably engraved by Mathieu Merian.
Taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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060 Alchemist performing distillation - painted by Adam McLean
Frontispiece from Geber, 'Summa perfectionis Magisteri', Danzig, 1682.
Coloured using watercolours by Adam McLean in 2002.
Framed painting A4, 11.75 by 8.25 inches, sent well packaged by tracked mail.

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061 Witches casting a spell from 16th Century woodcut - painted by Adam McLean
Taken from the woodcut by Hans Baldung Grien, 1514.
Coloured using watercolours by Adam McLean in 2009.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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062 Alchemical emblem 1 Twelve Keys - from 17C engraving painted by Adam McLean
The Twelve keys of Basil Valentine is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of twelve emblematic plates.
The First Key, taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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063 Alchemical emblem 3 Twelve Keys - from 17C engraving painted by Adam McLean
The Twelve keys of Basil Valentine is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of twelve emblematic plates.
The Third Key, taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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064 Alchemical emblem 4 Twelve Keys - from 17C engraving painted by Adam McLean
The Twelve keys of Basil Valentine is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of twelve emblematic plates.
The Fourth Key, taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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065 Alchemical emblem 5 Twelve Keys - from 17C engraving painted by Adam McLean
The Twelve keys of Basil Valentine is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of twelve emblematic plates.
The Fifth Key, taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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066 Alchemical emblem 9 Twelve Keys - from 17C engraving painted by Adam McLean
The Twelve keys of Basil Valentine is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of twelve emblematic plates.
The Ninth Key, taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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067 Alchemical emblem 11 Twelve Keys - from 17C engraving painted by Adam McLean
The Twelve keys of Basil Valentine is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of twelve emblematic plates.
The Eleventh Key, taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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068 Alchemical emblem 12 Twelve Keys - from 17C engraving painted by Adam McLean
The Twelve keys of Basil Valentine is well known as one of the gems from the 'Musaeum Hermeticum' published in 1625 by Lucas Jennis in Frankfurt, especially for its series of twelve emblematic plates.
The Twelfth Key, taken from an engraving in 'Musaeum Hermeticum' published in 1625.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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069 Sulphur - Spirit from 16th Century woodcut - painted by Adam McLean
Taken from a woodcut in Thurneisser's 'Quinta Essentia', 1574.
Coloured using watercolours by Adam McLean in 2002.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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071 Alchemia as goddess from 16th Century woodcut - painted by Adam McLean
Taken from a woodcut in Thurneisser's 'Quinta Essentia', 1574.
Coloured using watercolours by Adam McLean in 2002. Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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072 Section of Ripley Scroll from 17th Cent engraving - painted by Adam McLean
Taken from one of the engravings of the Ripley scroll printed in David Beuther, 'Universal und Particularia...', Hamburg, 1718.
Coloured using watercolours by Adam McLean in 1998.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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073 Rosicrucian diagram from 17th Cent engraving - painted by Adam McLean
Redrawn from Theophilus Schweighardt 'Pandora sextae aetatis', 1617.
Coloured using watercolours by Adam McLean in 2000.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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074 Animals in alchemical flask from 18th Cent engraving - painted by Adam McLean
Taken from engraving in Franz Clinge 'Ein Richtiger-Wegweiser...', Berlin, 1701.
Coloured using watercolours by Adam McLean in 2005.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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075 Miracle of the World from 18th Cent engraving - painted by Adam McLean
Taken from engraving in Johannes de Maldini 'Mirabilia Mundi', 1754.
Coloured using watercolours by Adam McLean in 2000.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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076 Ptolomy and Astronomia from 16th Cent woodcut - painted by Adam McLean
Taken from woodcut in Reisch, 'Margarita Philosophica', Freiburg 1504.
Coloured using watercolours by Adam McLean in 2003.
Framed painting, 10 by 8 inches, sent well packaged and tracked mail.

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077 Atlas supporting the Earth from 17th Cent engraving - painted by Adam McLean
ken from engraving in Valentine 'Azoth, sive Aureliae occultae philosophorum', 1613.
Coloured using watercolours by Adam McLean in 2003.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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078 Planets working alchemy from 18th Cent engraving - painted by Adam McLean
Taken from frontispiece engraving to Johann Helfrich Jungken, 'Chymia experimentalis', Frankfurt, 1701.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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079 Venus by Sebald Beham from 16th Cent engraving - painted by Adam McLean
Taken from engraving by Sebald Beham.
Coloured using watercolours by Adam McLean in 2010.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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080 Mercury by Sebald Beham from 16th Cent engraving - painted by Adam McLean
Taken from engraving by Sebald Beham.
Coloured using watercolours by Adam McLean in 2010.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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081 The alchemical key to the planets, from woodcut of 1770 - painted by Adam McLean
Taken from woodcut in Toeltius 'Coelum reseratum chymicum...' Frankfurt, 1737.
Coloured using watercolours by Adam McLean in 2002.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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082 God creating the four continents from 17th Cent engraving - painted by Adam McLean
Taken from an engraving Henrik Goltzius for version of Ovid's 'Metamorphoses' (1589-1615).
Coloured using watercolours by Adam McLean in 2009.
Framed painting, 10 by 8 inches, sent well packaged by tracked mail.

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083 Alchemists performing distillation from 16th C woodcut - painted by Adam McLean
Taken from a woodcut in Geber 'De alchimia libri tres', Strassburg, 1631.
Coloured using watercolours by Adam McLean in 1998.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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084 Alchemists in laboratory from 18th Century engraving - painted by Adam McLean
Taken from an engraving in 'De gekheit der wereld', Netherlands, 1731.
Coloured using watercolours by Adam McLean in 2007.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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085 Witches in Macbeth from 18th Century engraving - painted by Adam McLean
Taken from an engraving in D. Chodowiecki 'Illustrations to Shakespeare's Macbeth', 1784.
Coloured using watercolours by Adam McLean in 2017.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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086 Paracelsian alchemical lion from 17th Century woodcut - painted by Adam McLean
Taken from woodcut in Paracelsus 'Auslegung von 30 magischen Figuren', Strassburg 1616.
Coloured using watercolours by Adam McLean in 2006.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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087 Female alchemist tending furnace from 15th Cent woodcut - painted by Adam McLean
Taken from woodcut of distillation by Michael Puff von Schrick, Augsburg, 1478.
Coloured using watercolours by Adam McLean in 2006.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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088 Sun in the alchemists vessel from 18th Cent engraving - painted by Adam McLean
Taken from engraving in Gottleib Märker 'Schema Universale', 1772.
Coloured using watercolours by Adam McLean in 2004.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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089 Cosmic Man in Planetary spheres 16th century woodcut - painting by Adam McLean
Emblem of Cosmic Man in Planetary spheres 16th century woodcut from Gregor Reisch, 'Margarita philosophia', 1503.
Coloured using watercolours by Adam McLean in 2003.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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090 Mercury in alchemical jar - from 18th century engraving - painting by Adam McLean
From an engraving in Baro Urbigerus, 'Besondere chymische Schrifften', Hamburg, 1705.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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091 Mercury in alchemical jar - from 18th century engraving - painting by Adam McLean
From an engraving in Baro Urbigerus, 'Besondere chymische Schrifften', Hamburg, 1705.
Coloured using watercolours by Adam McLean in 1999.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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092 Beehive as alchemical vessel- from 18th cent engraving - painting by Adam McLean
From frontispiece engraving to 'Geheimnisse einiger Philosophen und Adepten', 1780.
Coloured using watercolours by Adam McLean in 2000.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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093 Christ as alchemical source - from 18th cent engraving - painting by Adam McLean
From engraving in Vincentius Koffsky, 'Hermetische schriften', Nurnberg, 1786.
Coloured using watercolours by Adam McLean in 2000.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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094 Man the Microcosm - from a 17th century engraving - painting by Adam McLean
From an emblem in Jan Moerman 'De cleyn-werelt', Amsterdam 1608.
Coloured using watercolours by Adam McLean in 2006.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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095 Alchemist at work - from a 18th century woodcut - painting by Adam McLean
From 'Ora et labora' woodcut in Medicinisch-chymisch- und alchemistische Oraculum, Ulm 1755.
Coloured using watercolours by Adam McLean in 2001.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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096 Mercury and Saturn search for stone 18th Cent engraving - painted by Adam McLean
From the frontispiece to P.M. von Respurs 'Besondere Versuche vom Mineral-Gleist', Leipzig, 1772.
Coloured using watercolours by Adam McLean in 2007.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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097 Alchemist in laboratory from a 15th Cent woodcut - painted by Adam McLean
From woodcut from Braunschweig 'Das Buch der Cirurgia', 1497.
Coloured using watercolours by Adam McLean in 2006.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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098 Pharmacist preparing medicines from a 15th Cent woodcut - painted by Adam McLean
From woodcut from Braunschweig 'Das Buch der Cirurgia', 1497.
Coloured using watercolours by Adam McLean in 2006.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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099 Fractional distillation from a 16th Cent woodcut - painted by Adam McLean
From woodcut in Philipp Ulstad 'Coelum philosophorum' Lyon, 1553.
Coloured using watercolours by Adam McLean in 2003.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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100 Solar distillation from a 17th Cent engraving - painted by Adam McLean
From engraving in work of Athanasius Kircher, 17th century.
Coloured using watercolours by Adam McLean in 2007.
Framed painting, 9 by 7 inches, sent well packaged by tracked mail.

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