101 Oedipus and Sphinx 17th Cent engraving - painted by Adam McLean
From frontispiece to J. J. Becher 'Institutiones chimicae prodromae', Frankfurt, 1664.
Coloured using watercolours by Adam McLean in 2007.
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102 Alchemist's furnace from 17th Cent manuscript - painted by Adam McLean
Thomas Charnock's furnace from a manuscript, 16th century.
Coloured using watercolours by Adam McLean in 2006.
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103 Complex distillation train from 17th Cent engraving - painted by Adam McLean
From a woodcut in Libavius 'Syntagma selectorum' Frankfurt, 1611.
Coloured using watercolours by Adam McLean in 2003.
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104 Arabic astronomers from a 16th Century woodcut - painted by Adam McLean
Arabic astronomers taken from Macrobius 'In somnium Scipionis', Venice, 1513.
Coloured using watercolours by Adam McLean in 2009.
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105 Constellation of the twins from a 17th Cent engraving - painted by Adam McLean
Constellation the the twins from a 17th Cent engraving.
Coloured using watercolours by Adam McLean in 2010.
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106 Cauda and Caput Draconis from a 17th Cent engraving - painted by Adam McLean
Hanns Singrieners 'Voegelin Practik' Vienna, 1154.
Coloured using watercolours by Adam McLean in 2010.
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107 Witch and demon on broomstick from a 16th Cent woodcut - painted by Adam McLean
From woodcut in Ulrich Molitor, 'Hexen Meyesterey', 1542.
Coloured using watercolours by Adam McLean in 2010.
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108 Shepherd under the Stars from a 15th Cent woodcut - painted by Adam McLean
From woodcut in 'Icy est le Compost', 1493.
Coloured using watercolours by Adam McLean in 2003.
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109 Jupiter as ruler of planetary spheres 15th Cent woodcut - painted by Adam McLean
From image of Jupiter as ruler of planetary spheres in a 15th Cent woodcut.
Coloured using watercolours by Adam McLean in 2003.
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110 Goddess with armillary sphere 16th Cent woodcut - painted by Adam McLean
From a woodcut in 'Urania che sostiene l'Universo', Nuremberg, 1503.
Coloured using watercolours by Adam McLean in 2010.
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111 Astronomer - from a 16th century woodcut - painting by Adam McLean
Astronomer from a 16th century woodcut.
Coloured using watercolours by Adam McLean in 2003.
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112 Astronomers - from a 16th century woodcut - painting by Adam McLean
From an engraving by Hans Brosamer on title page of Peter Apian, 'Folium Populi', 1533.
Coloured using watercolours by Adam McLean in 2010.
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113 Astronomical armillary sphere - from 16th cent woodcut - painting by Adam McLean
Astronomical armillary sphere - from 16th cent woodcut.
Coloured using watercolours by Adam McLean in 2010.
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114 Planetary spheres - from 16th cent woodcut - painting by Adam McLean
Planetary spheres - from a 16th century woodcut.
Coloured using watercolours by Adam McLean in 2010.
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115 Alchemist sowing seeds of gold - from 16th cent woodcut- painting by Adam McLean
From the frontispiece engraving from David Beuther 'Universal und Particularia', Hamburg, 1718.
Coloured using watercolours by Adam McLean in 2004.
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116 Chronos as an Angel - from 16th cent woodcut- painting by Adam McLean
From the woodcut 'Chronos as an Angel' in Stephen Hawes, 'The Pastyme of Pleasure', 1509.
Coloured using watercolours by Adam McLean in 2006.
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117 Alchemical conjunction - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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118 Alchemical putrefaction - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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119 Four grades of fire in alchemy - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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120 Triple headed ouroboros - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 1987.
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121 Choir of the planets - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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122 Sun and Moon warmed at fire - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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123 Alchemical separation - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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124 Sowing seeds of Sun and Moon - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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125 Alchemical multiplication - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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126 Alchemical exaltation - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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127 Alchemical gold - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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128 Nurturing the alchemical child - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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129 Mercury and lion tend furnace - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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130 Alchemical birds double flask - from 17th cent engraving - painting by Adam McLean
From the engraving in Mylius, 'Philosophia reformata', 1622.
Coloured using watercolours by Adam McLean in 2001.
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131 Alchemist in laboratory from engraving by E. van Hove - painted by Adam McLean
Alchemist in his laboratory from engraving by E. van Hove, 'Der Alchemist', 1883.
Coloured using watercolours by Adam McLean in 2000.
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132 Alchemical tree, from frontispiece to Baro Urbigerus - painted by Adam McLean
Alchemical tree, from frontispiece from Baro Urbigerus, 'Aphorismi Urbigerani', London, 1690.
Coloured using watercolours by Adam McLean in 1998.
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133 Dowsing for Metals - from a 16th century woodcut - painting by Adam McLean
Dowsers searching for metal from a 16th century woodcut in Agrippa 'De re metallica', Basle, 1556.
Coloured using watercolours by Adam McLean in 2005.
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134 Astrologer or astronomer from a 16th century woodcut - painting by Adam McLean
Woodcut on title page of 'Messahalah de scientia motus orbis', Nuremberg, 1504.
Coloured using watercolours by Adam McLean in 2008.
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135 Redrawn from 14th cent ms of Al-Razi Opera Medicinalia - painted by Adam McLean
Redrawn from 14th cent Manuscript of Al-Razi Opera Medicinalia - painted by Adam McLean
Coloured using watercolours by Adam McLean in 1986.
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136 Alchemist discuss in laboratory from 17th C engraving - painted by Adam McLean
Three alchemists discuss the alchemical work being performed by an assistant, perhaps a Vulcan figure. Taken from an engraving on the titlepage of Michael Maier, Tripus aureus, 1618.
Coloured using watercolours by Adam McLean in 2000.
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137 Basil Valentine from 17th Century engraving - painted by Adam McLean
Basil Valentine shown in his laboratory, surrounded by alchemical symbolism and apparatus. Engraving on title page of Basil Valentine 'Revelation des mysteres', Paris, 1668.
Coloured using watercolours by Adam McLean in 2000.
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138 Calcination of antimony by sunlight from 17th C engraving - painted by Adam McLean
Alchemist heats antimony using sunlight focused through a lens. Taken from an engraving by Abraham Bosse 'La calcination Solaire de l'antimoine' (Calcination of antimony by sunlight.)
Coloured using watercolours by Adam McLean in 2003.
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139 Salamander in the fire from 17th C engraving - painted by Adam McLean
A salamander being held in the fire of transformation by an alchemist. Taken from an engraving, Emblem 10, from the Book of Lambspring, in 'Museum Hermeticum', 1625.
Coloured using watercolours by Adam McLean in 1999.
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140 Witches creating a spell, from 16th Century woodcut - painted by Adam McLean
Witches creating a spell. From a woodcut in Reinhard Lutz, , 'Warhafftige Zeitung von den gottlosen Hexen', 1571.
Coloured using watercolours by Adam McLean in 2017. Used as an illustration in his 'The Witch Figure' book and included in his exhibition in May-June 2017.
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141 Witch and demon on horseback, from 16th Century woodcut - painted by Adam McLean
Witch being carried off on horseback by a demon. From a woodcut in Olaus Magnus, 'Historia de Gentibus Septentrionalibus', Rome, 1555.
Coloured using watercolours by Adam McLean in 2017. Used as an illustration in his 'The Witch Figure' book and included in his exhibition in May-June 2017.
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142 Crucified alchemical serpent from a 18th Cent engraving - painted by Adam McLean
Crucified alchemical serpent. Taken from an engraving, emblem 2, from Abraham Eleazar, 'Uraltes chymisches Werck', 1735.
Coloured using watercolours by Adam McLean in 2000.
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143 Alchemical dragons under a hill from a 18th C engraving - painted by Adam McLean
Winged dragons assault a hill bearing a triple blossomed plant. Taken from an engraving, emblem 6, from Abraham Eleazar, 'Uraltes chymisches Werck', 1735.
Coloured using watercolours by Adam McLean in 2000.
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144 Alchemical furnace and flasks from 16th-cent woodcut - painted by Adam McLean
Alchemy. Woodcut from 'The Works of Geber Englished' by Richard Russell, London, 1678.
Coloured using watercolours by Adam McLean in 2004.
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145 Massacre of alchemical innocents from 18th C engraving - painted by Adam McLean
The allegory of the massacre of the alchemical innocents. Taken from an engraving, emblem 7, from Abraham Eleazar, 'Uraltes chymisches Werck', 1735.
Coloured using watercolours by Adam McLean in 2000.
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146 Salamander living in blazing fire from 17th C engraving - painted by Adam McLean
From Emblem in George Withers 'A Collection of Emblems, Ancient and Modern', 1635.
Coloured using watercolours by Adam McLean in 2004.
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147 Alchemical shield bearing emblems from 17th C engraving - painted by Adam McLean
Alchemical shield with the motto 'All things are in them and from them', bearing the planetary metals and other alchemical symbols. Taken from an engraving in Jean Brouaut, 'Traite de l'eau de vie', 1646.
Coloured using watercolours by Adam McLean in 2000.
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148 Four elements and their qualities from 16th Century woodcut - painted by Adam McLean
The four elements and the four qualities, hot dry, humid and cold. Woodcut from Petrus Bonus, 'Pretiosa margarita novella', Venice, 1546
Coloured using watercolours by Adam McLean in 2000.
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149 Adam and Eve with serpent and skeleton 16th Century engraving - painted by Adam McLean
Adam and Eve. From an engraving by Jost Amman in Jacob Rueff 'De conceptu et generatione hominis', Frankfurt, 1587.
Coloured using watercolours by Adam McLean in 2009.
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150 Astronomer with celestial globe 16th C woodcut - painted by Adam McLean
Woodcut of Astronomer with celestial globe. From Jost Amman and Hans Sachs 'Eygentliche Beschreibung aller Stande auff Erden', Frankfurt, 1568.
Coloured using watercolours by Adam McLean in 2011.
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