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Inner alchemy archives - Flamel's MusicBack to alchemy forum page . Back to Inner alchemy archive.Date: Sun, 23 Feb 97 19:46:06 UT From: Mike Dickman Thinking over Richard's question concerning Gemini and Fixation, I suddenly recalled the fact that there was this rather strange and quaint series of correspondences attributed to - but in fact, of course, having nothing (direct, anyway,) to do with - Flamel in an unpublished French ms. in a private collection. I thought it might be of interest... SUN A God, sole and unique ut MOON B Purification of the lunar re MARS C Etheric spirit mi MERCURY D Salt of nature fa JUPITER E Rectification and circulation sol VENUS F Congelation of air la SATURN G Tincture of nature's salt si SUN H Sulphur of nature ut MOON I Putrefaction of the lunar re MARS K Sublimation mi MERCURY L B(aine) M(arie) fa JUPITER M Damned earth sol VENUS N Distillation la SATURN O Cohobation si SUN P Air, Earth, Water, Fire ut MOON Q Marriage re MARS R Universal solvent mi MERCURY S Virgin's milk fa JUPITER T Crow's head Putrefaction sol VENUS U Hermetic sigillation la SATURN X Furnaces si SUN Y Reverberation ut MOON Z (what looks like) Sisciaxtion re MARS & Universal medicine mi Any comments, anybody? Respectfully, md Date: Thu, 31 Jul 1997 From: Yanis Dambergs This is in response to Mike Dickman's posting, Inner Forum, Sunday, 23 Feb. 97, "Flamel's Music" MEMORY LOCI, Lullian technasmata, astrology, and chinese inner alchemy In answer to Mike Dickman, your request for comments on Flamel's Music, SUN A God, sole and unique ut MOON B Purification of the lunar re MARS C Etheric spirit mi MERCURY D Salt of nature fa JUPITER E Rectification and circulation sol VENUS F Congelation of air la SATURN G Tincture of nature's salt si (etc., view the full table in the 23 Feb. 97 archive.) There is a direct correspondance of this arrangement to a technique of meditation that Raymond Lull highly recommends, and the technique of Taoist inner alchemy. Both techniques include visualization in the six directions. Further, there is an exact correspondance between the 5Xing attributes of the planets disposed in this pattern, and the arrangement adopted for the practice of Taoist inner alchemy. I was just meditating on this correspondence, when I discovered the Forum and saw Mike Dickman's contribution in the above archive. In the first column of this list we see the planets in the order of the days of the week, and matched to the seven notes of the scale in the last column. Leaving out the two middle columns for the time being, let us concentrate on the planets and the notes in the two outer columns, and their arrangement, when transposed on the three perpendicular spatial axes The correspondence between the six dimensions and the scale, is given by Lull as follows in Ars Generalis Ultima.1.up,ut; 2.down,re; 3.front,mi; 4.back,fa; 5.right,sol; 6.left, la . The seven days of the week are considered by Lull to represent the points into which a simple element, one of the four subtle bodies, (represented by Saturn) divides itself into six points to produce a compound. Saturn represents the "Seventh transcendent point." Raymond in Ars Generalis Ultima, the 100 Forms, Article 49: the Dimensions There are six general dimensions, and their center is the body through the diametric lines in which the body can move, namely 1.up, 2.down, 3.to the front, 4.to the back, 5.to the right and 6.to the left.. These six dimensions are coessential with movement. But the intellect wonders why there are six dimensions, and neither more nor less. And it remembers movement, which could not be perfect without these. If indeed they were more or less than six, there would be some imperfection, as can be seen with species 3. and 4. of rule C. And the second species of the same rule signifies that the said dimensions are essential parts of the movement, in which the body is habitually situated. But the intellect wonders, why a spherical body does not have the said dimensions, such as a human head, an eye, an apple, and things like these? But then, it understands the universe, which is a spherical body, and that this universe is not itself enclosed by any such dimensions,because it is the ultimate body, and causes its likenesses to be produced in the said spherical bodies, so the intellect can have knowledge of it. And the rules B. and K. consent to this. 136. (Lull, Ars Generalis Ultima, De Centum Formis).....The musician practices his art through six degrees of a scale, ascending and descending, while saying ut, re, mi, fa, sol, la. 137. At this point, the intellect wonders: why are there 6 degrees, neither more nor less? But it remembers the above article 49 of the hundred forms, which deals with the six dimensions. And at this point, the intellect knows how it must get help from the general forms dealt with above, by applying them to any doubtful question it might be inquiring into. END OF QUOTE. THE SEVEN PLANETS IN THE SIX DIMENSIONS, THE FIVE XING, AND TAOIST INNER ALCHEMY 1.ut, Sun is above, 2. re, Moon is below, 3. mi Mars in front, 4. fa Mercury is behind, 5 sol Jupiter is to the right and 6. la Venus is to the left. 7. Sit facing South and visualize yourself with your navel at the center of the x(right-left), y(up-down) and z (front-back)axes with each planet in its numbered place. Taking the five Xing and their planetary attributes applied to the directions, Saturn Tu, in the center, corresponds to the "yellow spleen Qi gathering center" behind the navel (You can visualize each center as a colored ball, in the color of its xing). To the right, Mu, Jupiter, the green liver Qi gathering center where your liver is. Left, Jin, the white lung Qi gathering center directly opposite the liver center as Jin (or metal) is opposed to Mu (or wood). (The left-right axis of the vital organs is reversed relatively to the east-west axis, when sitting facing south, the liver center connects with the green dragon in the East, and the lung center with the white tiger in the West.) In front, Mars, Huo (or fire) corresponding to the red heart center at a point on the vertical axis where the horizontal plane between the nipples cuts it. Behind, Mercury, Shui (or water), corresponding to the black kidney Qi gathering center on the vertical axis at the crotch. The Qi is gathered in these centers, purified by meditation on virtues and vices, brought to the said Spleen gathering center, condensed into a brilliant pearl that is sent into circulation as a healing agent that can disperse obstructions through the 12 ordinary and 8 extraordinary meridians and that can then be sent through the thrusting channel up through the Bai Hui point at the crown of the head. This style of meditation has great medicinal value, it is a standard classical method dealt with in other chinese publications as well. The meanings of the five Xing in these places can be extended to include all the meanings of the Xing in classical Tao literature: emotions, animals, trigrams, specific healing sounds, etc. Now to see how this type of six directional contemplation is applied to the divine plane, here is an excerpt from Blessed Raymond's book "On GOD's Memory"(Liber de Memoria Dei) 7. About Truth Divine truth is an infinite essence. In it, divine unity, goodness, and the other dignities have infinite objects, as unity has its infinitely united object, and goodness has its infinitely well produced good object, etc. And all these infinite objects truly exist through divine truth, because divine truth has its own infinitely true and verified object. None of this would be possible, if there were no infinite memory in the divine essence, having an infinite object that it remembers, so that a reason can exist, for all the divine dignities to have an infinite object remembered infinitely by divine memory, as they have an infinite object verified through divine truth, otherwise the dignities would defective and unbalanced as they objectify their infinite object. And to clarify this, I am taking the following example. All bodies have six dimensions or terminations which are: up, down, front, back, right and left. Outside of these six boundaries, no bodily thing can either exist or act in any way. And thus, as divine truth is a true reason for divine unity, goodness etc. to have infinite objects beyond these six dimensions, so also divine memory, through remembering, is a reason for all the dignities to have infinite objects outside of these six dimensions. This therefore proves, that in divine essence there is a divine memory, so that through it, each dignity can remember that it has an infinite object. And here the contemplative can rejoice, who knows how to contemplate in this way the infinite objects in the divine essence, outside of the directions 1.above,and 2. below, 3. front and 4.back, 5. right and 6.left, BECAUSE CONTEMPLATION CANNOT RISE TO ANY LOFTIER HEIGHT THAN THIS. HERE ENDS THE EXCERPT FROM LIBER DE MEMORIA DEI In Ars Amativa, Lull recommends meditating in seven phases by declining "Amabundus, Amorosus, Amativus, Amans, Amare, Amabile, Amatum." coupled with the other Dignities, such as Goodness, for example: "Amabundus bonificabundus, Amorosus bonosus "etc. There is much more information on the meaning of "Flamel's Music", which, GOD willing, can be communicated and exchanged as time and space allow. Thank you, Mike, for having contributed this most enlightening document, which clearly displays the universal nature of the alchemical process, as the patterns applied in the West and in China correspond in an objective way. Yanis DAMBERGS |