Alchemy texts archives - Kleopatra

Date: Sat, 5 Apr 1997
From: Fred Hatt

I have just finished reading Jack Lindsay's "The Origins of Alchemy in
Graeco-Roman Egypt" (Barnes & Noble, 1970). This book is very illuminating
about the early stages of Alchemy's development, including its relation with
Greek philosophy, the mystery-cults, and Persian, Hebrew, and Egyptian
magic, and the craft-lore of metallurgy, dyeing, fermenting, and the making
of perfumes, cosmetics and drugs. It draws on a wide range of ancient
sources, though there are some odd omissions, notably Morienus.

This book includes extensive quotations from the Discourse or Dialogue of
the early Egyptian woman alchemist Kleopatra. Her passionate, poetic vision
of alchemic transformation centers on the metaphor of gestation in the womb.
There is also a chapter on Maria the Jewess, an inveterate experimenter who
seems to have invented or improved upon most of the basic apparatus of
practical alchemy. It is interesting to see how central were women in the
early development of alchemy, and I am particularly interested in
Kleopatra's vision for its feminine perspective and its enthusiasm. If
anyone is able to refer me to other studies or sources on the work of
Kleopatra, I would be very grateful.

Here is a quote from Kleopatra:

Then Kleopatra said to the Philosophers, "Look at the nature of plants, what
they come from. Some come down from the mountains and grow out of the
earth, and some grow up from the valleys and some come from the plains. But
look how they develop. For it is at certain seasons of the year you must
gather them; and you take them from the islands of the sea and from the most
lofty place. And look at the air that ministers to them, and the
nourishment circling round them, so that they may not perish or die. Look
at the divine water that gives them drink, and the air that governs them
after they have been given a body in a single being."

Ostanes and those with him answered Kleopatra. "In you is hidden a strange
and terrible mystery. Enlighten us, throwing your light on the elements.
Tell us how the highest descends to the lowest, and how the lowest rises to
the highest, and is united with it, and what is the element that
accomplishes these things. And tell us how the blessed waters visit the
corpses lying in Hades fettered and afflicted in darkness, and how the
Medicine of Life reaches them and rouses them as if woken by their
possessors from sleep; and how the new waters, both brought forth on the
bier and coming after the light penetrates them at the beginning of their
prostration and how the cloud supporting the waters rises from the sea."

And the Philosophers, pondering what had been revealed to them, rejoiced.

Kleopatra said to them, "The waters, when they come, awake the bodies and
the spirits that are imprisoned and weak. For they again undergo oppression
and are enclosed in Hades, and yet in a little while they grow and rise up
and put on various glorious colours like the flowers in the spring and the
spring itself rejoices and is glad at the beauty they wear.

"For I tell this to you who are wise. When you take plants, elements, and
stones from their places, they appear to you to be mature. But they are not
mature till the fire has tested them. When they are clad in the glory from
the fire and the shining colour of it, then rather will appear their hidden
glory, their sought-for beauty, being transformed to the divine state of
fusion. For they are nourished in the fire and the embryo grows little by
little nourished in its mother's womb; and when the appointed month comes
near is not held back from coming out. Such is the procedure of this worthy
art. The waves and surges one after another in Hades wound them in the tomb
where they lie. When the tomb is opened, they come out from Hades as the
babe from the womb."

Fred Hatt

Date: Mon, 7 Apr 1997
From: George Leake

>From: Fred Hatt

>This book includes extensive quotations from the Discourse or Dialogue of
>the early Egyptian woman alchemist Kleopatra.

That is a woman who took that name as a pseudonym, that is. Cleopatra the
alchemist is detailed in one of these books:
Berthelot, M. (Marcellin), 1827-1907 / CHIMIE AU MOYEN AGE
Berthelot, M. (Marcellin), 1827-1907 / HISTOIRE DES SCIENCE
Berthelot, M. (Marcellin), 1827-1907 / ORIGINES DE L'ALCHIMIE / 1885

Her passionate, poetic vision
>of alchemic transformation centers on the metaphor of gestation in the womb.
>There is also a chapter on Maria the Jewess, an inveterate experimenter who
>seems to have invented or improved upon most of the basic apparatus of
>practical alchemy.

Yeah, Berthelot and others say many of these names were pseudonyms, a kind
of homage to another. Such as Flamel, this person who's participated on the
alchemy forum, whereever he or she is these days

>It is interesting to see how central were women in the
>early development of alchemy, and I am particularly interested in
>Kleopatra's vision for its feminine perspective and its enthusiasm.

If indeed we can be sure she was woman!

>If anyone is able to refer me to other studies or sources on the work of
>Kleopatra, I would be very grateful.

Not much--check Berthelot

Interesting topic

George Leake

From: Jeffrey
Date: Tue, 8 Apr 1997

Dear Fred

I find Kleopatra fascinating as well but don't know any other
references. AS to Maria you might look at The Jewish Alchemists by Patai.

Jeff