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Alchemical and Hermetic Emblems 1-20
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A001. An image of the astrologer consulting the heavens. From Robert Fludd's Utriusque cosmi historia, Vol II.

A002. Frontispiece engraving from Johann Helfrich JÜNGKEN, Chymia experimentalis, Frankfurt, 1701.

A003. Engraving from Michel de Marolles, Tableaux du temple des muses, Paris, 1655.

A004. Engraving from Gottfried Moebius, Neu-Angezundt-Hell-brennendes Feuer, oder Mercurial-Liecht..., Augsburg, 1680.

A005. Frontispiece to an 18th century German book entitled 'the compass of the wise'.

A006. The Macrocosm and the Microcosm. Frontispiece from Robert Fludd's Utriusque cosmi historia.

A007. Woodcut from Andreas Libavius Commentariorum alchymiae.

A008. Frontispiece from Balduin's Aureum superius et inferius.

A009. Redrawn from a manuscript in the Manly Palmer Hall collection.

A010. Sixth woodcut from the series in Basil Valentine's Azoth.

A011. Man at the centre of the fortress of health, protected by the angels. From Robert Fludd's Medicina catholica.

A012. Seventh woodcut from the series in Basil Valentine's Azoth.

A013. Engraving from Barchusen's version of the 'Crowning of Nature'.

A014. Redrawn from a 15th century manuscript in the British Library, Harley 2407.

A015. Redrawn from a 14th century manuscript in Cracow of Al-Razi's 'Opera Medicinalia'.

A016. Large engraving of the polarities in the macrocosm and the microcosm, from J.D. Mylius Opus medico-chymicum. Landscape format

A017. From Theophilus Schweighardt's 'Mirror of the Rosicrucian wisdom'.

A018. Frontispiece from Beroalde de Verville's Le Voyage des princes fortunez.

A019. Frontispiece from Beroalde de Verville's Le Tableau des riches inventions.

A020. An alchemist, possibly Irenaeus Philalethes, in his laboratory. From Pyrotechnia ofte Vuur-stook-Kunde, Amsterdam, 1687.