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Alchemical and Hermetic Emblems 141-160
1-20   21-40    41-60   61-80   81-100   101-120   121-140   141-160   161-180   181-200   201-220   221-240   241-260   261-280   281-300   301-320


A141. Engraving one from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A142. Engraving two from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A143. Engraving three from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A144. Engraving four from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A145. Woodcut from Petrus Bonus, Pretiosa margarita novella, Venice, 1546,

A146. Frontispiece from Geber, Summa perfectionis Magisteri, Danzig, 1682.

A147. Engraving from Vincentius Koffsky, Hermetische schriften, Nurnberg, 1786.

A148. Engraving from G. B. Diana Paleologo, Sacra Universal Filosofia, Lucca, 1713.

A149. Engraving from Valentine's 'Twelve Keys' in the Musaeum hermeticum, Frankfurt 1678.

A150. Emblem 2 from Barchusen, Elementa chemiae, Leiden, 1718.

A151. Reisch, Margarita Philosophica, Freiburg 1504.
A152. From titlepage of J.B. Van Helmont Opera Omnia, Franckfurt, 1682.

A153. Engraving from Robert Fludd, Summum bonum, Frankfurt 1629.

A154. Engraving from later edition of Flamel in Jean Maugin de Richenbourg, Bibliotheque des philosophes chimiques, Paris, 1741.

A155. Engraved title page from Michael Maier, Viatorium, hoc est, de montibus planetarum septem seu metallorum, Rouen, 1651.

A156. Engraving, 19th Century.

A157. Frontispiece engraving from Johann Michael Faust Philalethes Illustratus Frankfurt, 1706.

A158. Woodcut from Ramon Lull, Liber de ascensu et descensu intellectus, Valencia, 1512.

A159. Engraving from Christian Friedrich Sendimir von Siebenstern Chymischer Monden-schein, Frankfurt, 1739.

A160. Engraving from De Hooghe, Hieroglyphica oder Denkbilder der alten Völker, Amsterdam, 1744.